L22001: Introduction to Shakespeare

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English L22001: Introduction to Shakespeare

Summer (1) 2022 MTR 10-12.20  LA 226

Office:  LA 233  Hours: please contact me

email: stapletm@pfw.edu  

webpage: www.elmlsteach.org

Text:

Greenblatt et al., eds., The Norton Shakespeare: Essential Plays. The Sonnets (vol. 3E), 3rd ed.

Please note: this is the edition I'll be using, and some of the assigned reading for presentations is from this text. If you choose not to buy it, you are still responsible for the material. Perhaps a friendly classmate will help you out.  But you can't be lackadaisical here.  

Electronic Devices:

Yes, please. Feel free. I only ask that you use their magic powers for Good.  E. g.  don't use your phone as a textbook.

16 May (M): Introductions; As You Like It

17 May (T):  As You Like It

19 May (R):  As You Like It

20 May (F): First weekly due by 11.59 p.m. on Brightspace

23 May (M):  As You Like It 

24 May (T):   Twelfth Night 

26 May (R):  Twelfth Night 

27 May (F): Second weekly due by 11.59 p.m. on Brightspace 

30 May (M): No class

31 May (T): Twelfth Night

2 June (R):  Twelfth Night

Third weekly due by 11.59 on Brightspace

3 June (F): First exam due by 11.59 p.m. on Brightspace 

6  June (M): Othello

7  June (T):  Othello

9 June (R): Othello  

10 June (F): Fourth weekly due by 11.59 p.m. on Brightspace 

13 June (M)  Othello   

14 June (T)  Othello    

16 June (R)  The Winter's Tale

17 June (F): Fifth weekly due by 11.59 p.m. on Brightspace 

20  June (M):  The Winter's Tale

21 June (T):   The  Winter's Tale 

23 June (R):  The Winter's Tale  

24 June (F): Second exam due  by 11.59 p.m. on Brightspace

You are allowed three (3) absences for any reason you choose. Students who miss more than this will fail the course, without exception, regardless of circumstances. I do not distinguish between “excused” and “unexcused” absences, nor am I responsible for material that you miss because you are absent. Students who miss the attendance call (the first five minutes of class) will be marked absent; students who get up and leave in the middle of class will be marked absent. Please take care of your rest room issues BEFORE class. If you must leave, give us the high sign.  DON'T JUST GET UP AND WALK OUT.

 NOTE: if you signed up for the class, it is understood that you can attend it regardless of family or employment obligations. If you have emergencies, this is why you have absences allowed.  Doctors's notes, team travel letters, and other personal effects do not entitle students to extra absences. If circumstances prevent you from observing the attendance policy, drop the course.   

Your two take-home exams, 100 pts.  each,  are due on the scheduled non-class dates by 11.59 via Brightspace.  Late papers = 0. No exceptions. These will be short, 3-4  pp.  Your first exam may be revised after meeting with the instructor in the office and discussing your plans.

There will be five of these, 20 pts. each, like your exams, due on the scheduled non-class dates by 11.59 via Brightspace.  Late papers = 0. No exceptions. 2 pp. Late = 0  Please see the instructions for success below. Like your first exam, you can revise them for a better grade after conferencing with me. 

It should go without saying that students are also expected to do their own work; indebtedness to secondary materials (either printed or electronic) must be clearly indicated so as to avoid plagiarism: 

—(piecemeal) using someone else’s words and phrases as if they were your own, not pararphrasing or summarizing properly, even with proper documentation;
—(grotesque) using someone else’s ideas as if they were your own, without proper documentation;
—(more grotesque) allowing someone else to write your paper for you.     

 PLEASE DO NOT BE A PLAGIARIST! THIS IS UNNECESSARY, AS WELL AS UNETHICAL   

The course grade will be determined by an average  of your  take-home midterm, take-home final exam, and weekly writing assignments, each comprising approximately a third of your grade. I reserve the right to take into additional factors into account; improvement, class participation, and, of course, attendance. Grades are not negotiable, personal, or subject to the influence of extracurricular academic factors. 

You may email me at any time. I will usually get back to you quickly: stapletm@pfw.edu

In AYL 3.5, Rosalind's long-ish speech (35-63) to Phoebe does not seem to have its intended effect, as Phoebe's response implies (64-65). Why is that?  What is the significance of some of Rosalind's words, e.g. "wretched"; "pitiless"; "tangle"; "properer"; "foul"? 

What does Rosalind mean in the lines "'Tis not her glass . . . can show her" (54-56)?  What does she mean by "Sell when you can; you are not for all markets" (60)? How do these lines reverberate throughout the play?

In the middle of Twelfth Night, Viola utters the enigmatic line, "I am not what I am" (3.1.141).  Obviously, her primary meaning is her secret. She's not the youth Cesario, but a woman like Olivia with her own agenda and problems. However, the statement could be the keynote of the play. How does it apply to everyone else in Twelfth Night?  Why does it matter?

A comedy, wrote Dante, is supposed to end with a marriage or a dance, after beginning on a note of discord or unhappiness.  He says nothing about humor or amusements of any kind. Twelfth Night finishes with three potential weddings, two of which feature couples who don't really know each other at all. There are also Antonio, Sir Andrew,  and Malvolio, each of whom is unhappy in his own way.  

However, Feste has the last word, his lyric "When I was and a little tiny boy" (5.1.389-408). How does the song sum up the characters, specifically? Choose four, and explain how.

Desdemona's line "errs in ignorance and not in cunning" (Oth. 3.3.47) seems to have a broader application in the play. One might even says that it plays.  What would be your response to this observation? Are there any parts of Othello that embody it and prove it true--or false?

 The main plot of The Winter's Tale will certainly remind you of Othello.  However, Leontes does not have an Iago to set him off--his jealous is self-generated.  What in his aside to the audience or soliloquy (WT 1.2.109-20) reminds you of Othello but is different?

 The question I like to ask at the end of a single-author course is: what is characteristic of the writer we've just studied? So with Shakespeare: what is Shakespearean, based on the four plays we've read this semester? What distinguishes him from anyone else in your hoard of knowledge? Please use examples from the works we've studied this semester to make your points.

Late papers = 0

3-4 pp. 

Microsoft Word only.