ENGL 42204 / 53501: English literature 1660-1789
Spring 2019 - MW 4.30-5.45 - LA 116
Students who elect this course in the "long eighteenth century” will study English poetry, drama, and intellectual history from the Restoration to about 1740, with some glances back at the Revolutionary period and ahead to Dr. Johnson. We will concentrate on some canonical writers (Dryden, Swift, Pope), the cavalier lyrical tradition and its excesses (Marvell, Cowley, Waller, Rochester), emerging women writers (Philips, Finch, Behn), drama (Wycherley, Congreve) as well as the notion of “enlightenment” (Locke, Hobbes, Astell). Analytical, argumentative, and research writing in the discipline will also be a frequent topic.
This is a great age for philosophy, history, theater, the rise of women writers, the development of the novel, painting (Peter Lely), sculpture, architecture (Christopher Wren), and, of course, music. Two great English composers of the late seventeenth century are John Blow and Henry Purcell. Use these links to give them a listen if you can, and enjoy. You probably already know about Haydn and Mozart, but their name links will lead you to music samples, as well.
LibriVox audiorecording of Congreve's The Way of the World
Intro Act 1 Act 2 Act 3 Act 4 Act 5
syllabus
General Information and Course Book
Office: LA 105 Hours: please contact me
email: stapletm@pfw.edu phone: 481.6841 (message)
webpage: www.elmlsteach.org
blog: shakespeareinyourface.blogspot.com
Text:
Lipking and Noddle, eds: The Norton Anthology of English Literature, vol. c: The Restoration and Eighteenth Century
Electronic Devices:
Yes, please. Feel free. I only ask that you use their magic powers for Good.
7 January
English Revolution, Stuarts and Hanoverians, Glorious Revolution, "Enlightenment," satire, epic, mock epic, cavalier lyric, ode, occasional poetry
explanation of course policies, presentations
Restoration, Charles II, Annus Mirabilis
9 January
John Dryden: "To the Memory of Mr. Oldham" (2208); "MacFlecknoe" (2236); Absalom and Achitophel (2212); An Essay on Dramatic Poesy (2251); wit and satire (2257)
Plague (1665): Dawson
Great Fire (1666): Kristen
14 January
Dryden
Oliver Cromwell: Katelyn
Long Parliament (1641): Steph
16 January
Dryden
Popish Plot (1678): Greg
James II: Elise
23 and 28 January
And yet more Dryden
John Locke: Emily Jones
Dryden on wit and satire in the textbook: Jane
30 January
4 February
Rochester
René Descartes: Vanessa
Baruch Spinoza: Bailey
6 February
Aphra Behn, "The Disappointment" (2310); "On a Juniper-Tree" (web)
Deism: Steph
Hobbes (reschedule): Andrew
11 February
13 February
Debating Women (2766-85)
Nell Gwyn: Emily Masterson
Mary Astell: Kristen
ANALYTICAL PAPER DUE FRIDAY 15 FEBRUARY 9 A.M.
18 February
More debate
Anne Killigrew: Alexa
Edward Hyde, Earl of Clarendon: Ella
20 February
And yes, even more debate than that
Enlightenment concept or philosopher: Dawson
25 February
Mary Astell, Reflections (2421), "Answer" (3018); Defoe (2425), Collier, Barber, and Jones (2445-49)
English writer of the era not on syllabus: Kate
27 February
More of this material from the previous class period
English historical event of the era: Elise
11 March
13 March
More Philips
Important woman of the era we need to hear about: Emily Jones
18 March
Congreve, The Way of the World
Significant work of art or architecture of the era: Bailey
20 March
Congreve, The Way of the World
English historical event: Ella
25 March
more Congreve
Enlightenment concept or thinker: Alexa
27 March
more, more Congreve
English writer of the era not on the syllabus: Jane
FIRST EXAM DUE FRIDAY 29 MARCH 9 A.M.
1 April
Alexander Pope, The Rape of the Lock; An Essay on Criticism; An Essay on Man
Important woman of the era we need to know about: Emily Masterson
3 April
More Pope
Continental event of the era: Vanessa
8 April
More Pope
Significant work of art or architecture: Andrew
10 April
More Pope
George I: Dawson
15 April
"A Modest Proposal" (2633)
17 April
Swift, "Verses on the Death of Dr. Swift" (2468) ; "A Modest Proposal" (2633)
22 April
more Swift; and Montagu, "The Lover" (handout)
24 April
Dr. Johnson's review of Soame Jenyns's Free Inquiry (web)
3 May
SECOND EXAM DUE FRIDAY 3 MAY 9 A.M.
Midterm exam
The Prompt
Read everything we've been studying so far through the lens of The Way of the World. Find important lines and passages in the play that reverberate with memorable and significant lines and passages in the previous course material. This is your opportunity to show me what you're learning and how you might apply it.
There are several ways to approach this task. The most important advice is twofold: know the texts you're talking about; don't begin the assignment the night before it's due.
What lines, words, behaviors, attitudes, proverbial statements &c. from Congreve's play reverberate back into Dryden, Rochester, Behn, Astell, Philips, and the "debate" authors? Examples:
Do Dryden's human portraiture and the characters in The Way of the World have anything in common?
Most of our poets, male and female, have troubled relationships with masculinity, just as most of us moderns do. Do Mr. Mirabell and Mr. Fainall seem to be prefigured in the gender-related poetry?
What lines by Philips best apply to Congreve's play? Or by Behn? Rochester?
We've joked about HBO shows such as Sex and the City and Girls, each of which features a quartet of women who might represent four types of womanhood. Guess what? Congreve's play likewise features four major women characters: Millamant, Marwood, Fainall née Languish, and Wishfort. Could passages about women in our poetry be applied profitably to them?
4-5 pp.
due via email in a Word document on Friday 29 March by 9 a.m.
Late papers = 0. Good news: you can revise this if you meet with me in my office beforehand.
Second exam
The Prompt
As we've learned in our reading and in our research for presentations, there are at least two Enlightenments. One is "official," positivist, optimistic, and impersonal. Another is "alternative": negative, cynical, critical, and strangely personal. Sometimes they seem to collide or contradict one another in the same poem, as Elise noticed in An Essay on Man.
Nevertheless, the standard Enlightenment might best be represented by Pope's Essay. Though Congreve, Swift, and Dr. Johnson might share some of Pope's literary politics, their moral visions might be more complex than that proffered in the Essay.
For your exam, incorporate as many of these quotations from the Essay as you can. Then analyze how Swift, Congreve, and Johnson would respond to these philosophical expressions, using specific examples from their work. The best strategy would be to attempt a one-to-one correspondence between one of the six passages and a quotation from either The Way of the World, "Verses on the Death of Dr. Swift," or Johnson's review of Jenyns's Free Enquiry.
And you don't need to limit yourselves to these three. Some of the poems in the "Debating Women" section of your anthology might work well in this discussion of destiny, social class, and the role of a benevolent creator in human existence. Montagu's "The Lover" would be an interesting choice for discussion, given her pessimism about finding a decent mate of the male species. You are welcome to incorporate other writers from our semester or those from the period that you've encountered in your reading.
Whatever IS, is RIGHT. (294)
Respecting man, whatever wrong we call,
May, must be right, as relative to all. (51-52)
‘Tis but a part we see, and not the whole. (60)
In pride, in reasoning pride, our error lies. (123)
to reason right is to submit. (164)
The bliss of man (could pride that blessing find)
Is not to think or act beyond mankind. (189-90)
Who finds not Providence all good and wise,
Alike in what it gives, and what denies? (205-06)
Specs
4-5 pp.
no need for secondary materials
due Friday 3 May, 9 a.m. via email
no late papers
I would rather not have to return these with commentary unless you specifically request it
Course Policies
ATTENDANCE AND GOOD MANNERS
You are allowed five (5) absences for any reason you choose. Students who miss more than this will fail the course, without exception, regardless of circumstances. I do not distinguish between “excused” and “unexcused” absences, nor am I responsible for material that you miss because you are absent. Students who miss the attendance call (the first five minutes of class) will be marked absent; students who get up and leave in the middle of class will be marked absent.
Please
- take care of your rest room issues BEFORE class. If you must leave for a moment, give us the high sign.
- do not sleep in class, do not put your head on your desk. If you are tired or ill, depart.
DUE DATES
Your paper and take-home exams are due on the scheduled non-class dates by 9 a.m. via email. Late papers = 0. No exceptions. These will be short, 4-6 pp. for undergrads, 10-15 pp. for grads. Your paper and first exam may be revised after meeting with the instructor in the office and discussing your plans.
DON'T BE A PLAGIARIST
it should go without saying that students are also expected to do their own work; indebtedness to secondary materials (either printed or electronic) must be clearly indicated so as to avoid plagiarism:
—(piecemeal) using someone else’s words and phrases as if they were your own, not pararphrasing or summarizing properly, even with proper documentation;
—(grotesque) using someone else’s ideas as if they were your own, without proper documentation;
—(more grotesque) allowing someone else to write your paper for you.
PLEASE DO NOT BE A PLAGIARIST! THIS IS UNNECESSARY, AS WELL AS UNETHICAL
GRADING
The course grade will be determined by a rough averaging together of your essay on an assigned topic, take-home midterm, and take-home final exam, and the less formal writing I will assign individually for presentational purposes. I reserve the right to take into additional factors into account; improvement, class participation, and, of course, attendance. Grades are not negotiable, personal, or subject to the influence of extracurricular academic factors.
COMMUNICATION
You may email me at any time. I will usually get back to you quickly: stapletm@pfw.edu
NOTE WELL:
I always acknowledge an email submission with a reply confirming receipt. If you DON'T hear from me after a reasonable period of time, it means I didn't get the paper. It is YOUR responsibility to follow up in this case, not mine.
PRESENTATIONS
Since our class is relatively small, we'll try and run things like a seminar for part of every class period. I'll be assigning our short presentation topics ahead of time, or you can volunteer. (They will sharpen your mind, help engage you, and certainly help your grade.) Usual topics: notable person or event of the era, passage from the night's reading. Before you come to class, you'll write up a brief version of your presentation (one paragraph), including a picture that will help us visualize. And you'll email it to me. I will then post it on my teaching blog, which will be accessible for all to see while you're talking.